we are also wait to 24 movie releasing about interesting news raise so many questions 1#surya lead hero and anti hero rolls,2#what kind of scientific film,3#what kind of time travel machine and 4#in film surya create 3 rolls,5#what acctress samantha and nithya menon rolls importance in 24 film,6#24 movie spend 70 crores budjet,7#heart soul of film director vikram kumar previous sensation films like manam and ishk films.
Suriya's quite anticipated bi-lingual sci-fi thriller film "24" has been discharged overall today (May sixth). The film coordinated by Vikram Kumar has Samantha and Nithya Menen in the female lead parts. Suriya himself delivered the film under his home flag of 2D Entertainment with a whooping spending plan of Rs. 70 crore.
The film has as of now earned part of buildup and insanity among the crowd, as the film additionally has a remarkable story of Time Machine. Suriya will be found in three distinct parts in the film. Lets see about the execution of this thriller motion picture.
It has been a while since we had a film which had bends and twofold contorts that were truly amazing and in 24, we are kept marginally by surprise in the matter of what may happen when a character accomplishes something.
STORY LINE:
Dr. Shiva Kumar (Suriya) is one of the great Scientist. He goal and found imagines 'Time Machine' – a sort of "Watch" through which anybody can go into the past and in addition into what's to come.ofcourse time travel machine. Knowing this, Shiva Kumar's twin sibling Aatreya (Suriya) tries to gain the watch. Thus, he slaughters Shiva Kumar and his better half Priya (Nitya Menen) with the assistance of his companion Mitra (Ajay) to snatch the gadget. Much to his misfortune, Aatreya misses Shiva Kumar's 3-year-old child Mani (Suriya) and the watch.
Sliced to 26 years after the fact, Mani turns into a watch technician and lives alongside his gatekeeper mother Satyabhama (Sharanya). The watch which has a lock, falls under the control of Mani after long time. He comes to think about the elements of the watch by opening it.
Then again, Athreya leaves the trance like state following 26 years. He gets to be old by then and confines himself to a wheel seat. He asks for specialist to bring back his lost young life. The specialist lets him know that he ought to go 26 years back so as to get his adolescent. In such manner, he reminds about the time gadget developed by Dr. Shiva Kumar. He gets the data about Mani and the watch through his men. He requests that his companion Mitra slaughter Mani and bring the gadget. What happens next ? Will Aatreya gets to be effective in recovering his young ? Where does Samantha highlight in this entire set up ? All these structures whatever is left of the story.
movie Review: A great deal of the occasions in 24 happen principally by virtue of mishaps and fortuitous events, yet it is to Vikram Kumar's credit that we get tied up with those scenes so wilfully in this novel and exciting, yet unquestionably over-long, film that continually charms us or abandons us excited with its imaginativeness. The film starts with one such mishap when a bird goes about as an impetus for Dr Siva Kumar's ( Suriya ) development — a time machine. He is a really popular watchmaker and creator, living happily with his significant other Priya ( Nithya Menen) and their child. In any case, his carbon copy twin sibling Athreya is hurting at his prosperity and arrangements to have room schedule-wise machine, which is as a watch, for himself. Be that as it may, Siva Kumar figures out how to spare both his child and his development by surrendering his own particular life.
Sliced to 26 years after the fact, and the infant has grown up to wind up Mani (Suriya, once more!), a watchmaker, raised by Sathyabhama (Saranya Ponvannan). Mani is negligent of his past, in any case, by an eccentricity of destiny, he finds the watch, and over a scene that is a great bit of motion picture enchantment (including beads of downpour), finds its energy. He utilizes it to charm Sathya ( Samantha ), a young lady who turns up at his store to get her watch repaired — or rather makes her become hopelessly enamored with him with assistance from the gadget. This is the film's cheerful stretch and Vikram Kumar continues tossing at us the potential outcomes that such a time machine offers. One such plausibility, a Quicksilver-like capacity to stop time, even includes influencing the result of a cricket match! In any case, the sentimental bit in the second half is certainly a drag and the circumstance is aggravated by an outwardly prosaic melody that has the leads strolling around in picture postcard-esque areas. It adequately goes about as a second interim.
In the mean time, Athreya, who has been in trance state every one of these years, recovers cognizance (once more, this happens unintentionally and includes a falcon!), and ends up having matured and incapacitated waist down. In any case, with the assistance of his trusted helper, Mithra (Ajay), he finds both the watch and Mani and plots to get the gadget in his grasp and backtrack into the past to revamp his fate.
It has been a while since we had a film which had winds and twofold contorts that were really astounding and in 24, we are kept somewhat flat footed in the matter of what may happen when a character accomplishes something. Vikram Kumar doesn't yield the inside rationale of the story, so the turns dependably appear to be conceivable and amazing. Like in the peak, when Mani chooses to spare his folks by time-traveling to the day they were killed, and how that works out. He additionally adjusts the science fiction/dream components with a sensational sub-plot, including Sathyabhama, Mani and her antagonized family, which summons the 'amma notion' and goes about as a shameless sop for the 'family groups of onlookers'.
Actually, the film looks impressive and this is one uncommon example in our movies when the cinematography (Tirru), creation plan (Amit Ray and Subrata Chakraborty) and visual impacts (directed by Julien Troussellier) are brilliantly in a state of harmony with each other. Indeed, even the cosmetics (Clover Wootton and Preetisheel G Singh) is unpretentious; it's an alleviation that the group did not run over the edge with prosthetics to separate Suriya's three parts. Just AR Rahman baffles with a somewhat serviceable score.
Still, all the tasteful triumphs would have been futile if the film did not have an on-screen character who could continue everything together with his moxy and execution, and this is the place Suriya conveys. He turns on his boyish appeal, which is expected to make the sentimental parts work (with most on-screen characters, the character's consistent utilization of the line, 'I am a watch workman madam; idanta naku chala sadharanam ayina vishayam' would have sounded grinding yet not here), progresses down amid the huge passionate scenes (the discussion amongst Mani and Sathyabhama after the previous has educated of his heredity) and lets free his fiendish side to make Athreya genuinely vile (the stunning interim square). It is not regularly that we see a major star going for broke with a script that is not shortsighted or standard, particularly when his last few movies have failed to meet expectations in the cinematic world, however here Suriya pulls it off commendably.
actors Performance :
Suriya who pulled in the group of onlookers with his adaptable parts in the movies, for example, Ghajini, Brothers, seventh Sense, and so on., at the end of the day hypnotized the gathering of people with his high fiery execution in the triple part in the present film "24". He conveyed the whole film on his shoulders in three distinct parts.
By and by Nithya Menon uncovered her acting abilities in the part of Priya as the spouse of a Scientist. Samatha pulled in the gathering of people as a sentimental young lady. Of course, Sharanya supported the part of Suriya's mom. Ajay, Girish Karnad, Charlie and Sudha are able in their parts.
Specialized division has offered life to the film. It is an in fact splendid film. They got to be effective in showcasing the components of the Time Machine in an understanding way. Each edge of the film has been showcased in a rich awesome light.
The music created by Oscar recompense champ A.R. Rahman did not work out well. He couldn't make resonant music for any of the melodies. Be that as it may, his experience score is astonishing.
The generation estimations of the film are exceptionally rich. Suriya who delivered the film on his 2D Entertainment pennant has not traded off at any case. He spend luxuriously essentially on areas, design and visual impacts of the film.
Till now, Director Vikram Kumar has made class motion pictures as it were. Be that as it may, surprisingly, he showcased his other side and demonstrated that he can deal with harder ideas too. He made the film keeping pace with Hollywood movies as far as VFX work and illustrations. He got to be fruitful in bringing such a lovely film.
film is awesom but we are write highlight 2 major minus points in this film 1#samantha and surya love tracks very boring and 2#film is very long lenght
googleboxoffice.com Analysis :
"24" is the yield of Suriya's new edge and Director's abnormal state chip away at standard with Hollywood gauges. The crowd truly encounter an awesome exciting feeling in the wake of watching the film.
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